for our 50th release on delusions of grandeur we’re pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing dog artists and veritable newcomers alike. kicking off part one we have rush hour regular nebraska who manages to successfully combine elements of wait for it... trance and broken beat into an altogether more exciting and amazing way than that actually sounds on paper. organic, sampled drums with plenty of grit and dirt lay down a groove whilst spacey synth arps and an almighty break (in a subtle way) make this something of an epic which all of us here have fallen for in a big way.

bruce returns to hessle audio with a 3 track ep, following his debut on the label in 2014. the a side is given over to the shape-shifting dancefloor mechanics of steals, with the eyes-down relevant again and petal pluck completing the release on the b side. each tune demonstrates bruce s unique approach to sound design, and confirms his status as one of the most versatile and exciting young producers in the uk

j.c. with part 2 of his rebellion of the overman project dropping some physical techno tracks that will work the body and mind!. j.c. communicating through his machines and laying down solid grooves and effective machine rhythms topped by vulnerable contrasting synths! strong stuff!!

our latest 12 inch comes with super solid 004-to-the-floor vibes by suzanne kraft from la. you probably love him as much as we do as is - so dont sleep on these three jams! we dare you to not play that aside out at any chance you get, kraft bringin that sauce (s/o 2 gucci mane) to the kitjen!

hand - stamped, vinyl only business
red motorbike blazes through once again ! a various artists selection this lap, with label boss eddie laying down a downright irresistible rewire of a smooth sitar laced groover. label regular koosh offers up way out of it man a saturated stones out-take perhaps ? while taking up the whole of the a side, frasier takes on a beautiful brass hooked, afro-disco workout in fine red motorbike style! another keeper.

the boys are gliding back onto the scene with scissor and threads first release of 2016, waiting ground. the handsome twosome of frankie skates and tony b. real deliver us four prime cuts aimed squarely at the dance floor. the vinyl-exclusive, ebreo, sees the duo flex their afro-rhythmic muscle, placing silky smooth bass over a bed of soft swirling percussion highlighted by a pitched down steel drum. next, an edit first heard on frank & tonys acclaimed resident advisor podcast comes to light. deftly cutting the hushed ambient tones of donato whartons absentia into perfect portions, frank & tony loop brittle bits over a chunky kick and shuffling hi-hat to hypnotic effect. the ep’s title track evokes the sun-kissed euphoria of early hour raves with its lush atmospherics and playfully subdued piano line buoyed by a thick kick and airy pads. finally pavane takes the previous tracks laid back attitude and flips it, adding a thick in-your-face kick and propulsive pads for a foot-stomping, hands in the affair dj weapon.

dabj favourites denis sulta & ct trax make a welcome return alongside mysterious new boy fear-e! denis sulta lives in a bedouin temple in a far off eastern land where he lounges in his imperial bed chamber surrounded by a bevy of beautiful women. these scantily-clad, exotic felines soothe his body and mind with an array of mystical massages as he lies on his luxurious ruby red, egyptian cotton sheets. he only drinks the finest buckfast wine and dines on delicious delicacies from far flung corners of the globe. so, thank the lord he was willing to give this up, jump down to the basement and lay down time 4 prayer, another fucked up dirty funk sulta classic. denis tags in fear-e for his dabj debut. candis quadra is a sexy wee off the shoulder number that’ll have you goggle eyed and panting for more. on the flip, ct trax completes the mouth-watering line up to smash home two winners and lift the trophy for the all stars.

fox tooth was one of the big releases of 2015 on local talk. if you haven t heard it you probably dont remember 2015 at all! all we did was play fox tooth. now, a year later we re proud to present the fox tooth remixes. karizma aka kaytronik gets straight to the point, strips down the original and tensely builds the track slowly, keeping the groove on the bone. on the flip, peacy offers a remix with all the elements of the original, perfectly combined with a few tricks of his own, in a stunning new combination, it sure impresses.

with two releases already under his belt on clone, gary gritness aka slikk tim lands on hypercolour with the sugar cane chronicles vol. 1. gritness may be a relatively new name on the block, but his session work for artists like kenny bobien, louie vega and grant nelson has marked up this multi-instrumentalist as a clear talent. hailing from france, gritness had been spotted by underground resitances mad mike banks as one to watch, and on his hypercolour release, displays a deft hand of producing futuristic funk sounds. a spot on blend of raw drum programming and blissfull jazz funk riffs, preachin some tight game sets the eps tone just right with its infectious melodies and cruising groove. darker 1980s soundtrack vibes are explored on stayin strong hand with its thick analogue atmosphere, whilst the laid back and freestyle vibes of working girls demands to be played in the cadillac with the top down! ep closer, fly shit, continues with the tranquil melodies and g-funk factor.

south london analogue material is back with the long awaited release from keepsakes. whadyyatalkinbout is a ruthless opener, its aggressive, distorted techno with all the keepsakes trademarks. the remix by bas mooy is a dance floor tool and has been doing the damage over the last few months. on the flip gorbs house is rough down tempo stomper with a naughty acid section and forward strategy group finish off with the b side remix giving the ep nice balance.

markus wormstorm, the one man phenomenon, is back with his new album. in it wormstorm experiments with down tempo pulses, bernard herrmann style compositions , african click singing, anime &#769,,,sampling and xhosa rapping. unlike his previous albums, wormstorm presents a whole new style called african electronic , which combines his passion for the cultural effects of south africa along with his expertise in electronic music and classical composing. figure in field consists from a various amount of collaborations, keeping you captivated and fascinated leading into his fantasyworld and - at the same time - into the reality of modern south-africa.

housewax welcomes back the lovely and high talented daniela la luz! after her fulminat debut album * based on electricity* which came out 2013 on rawax, we are happy to present you danielas new long player called * counting days* on housewax. congrats daniela - beautiful work!

played by rolando, nathaniel jay, agnostic rhythm, natan h, deep a & biri...
for its premier release, division point industries is proud to announce a 4-track ep by rolling ones, a collaborative project featuring johannes auvinen (tin man) and jordan poling (jordan). rolling ones finds its voice in the synthesis of each artist s sound, combining tin man s acidic melodies with jordan s deep, textural pads. debuting at the division point industries residency at bushwick s notorious bossa nova civic club, rolling ones marked their arrival by playing a dj back-to-back set. opening the record is 93 mustang , a muscular, no-nonsense roller built around deep wells of warm bass and slick-piston percussion. as it builds, tin man s signature acidic squelch dances in the remaining space, giving the track a sense of both life and depth. next is faded delorian , an abyssal burner that refracts its ghostly tones around a panning labyrinth of crystalline synths. on the flip is slammed cadillac , a sinewy, stripped down stomper of clattering percussion and caustic 303s. jacked up impala finishes the record as a jacking acid tool. founded by jordan poling, division point industries is a new label built on the success of a collaborative residency with cory james at brooklyn s bossa nova civic club. having hosted artists ranging from the established to the underground, division point industries has crafted a no-nonsense take on deep house and techno that is rich in history while remaining focused on the future.

bodyjack returns to his bodytrax label with another 3 outstanding bodytrax. is he always like this? is an infectious groove-based techno workout which has been tried and tested by a select few djs over the last few months. kamala’s revenge is a hypnotic tribal roller with darkside vocals, off-kilter rhythms and & tripped out fx. one for the heads down crew. last but not least, the uptempo house jacker disrespect combines a killer bassline and bodyjack’s now signature razor sharp beats ’n’ stabs to round off the ep. oh, and there are 4 locked grooves on the 12- release for the heads. don’t sleep on this one!

jacking chicago tracks on this first ep by offenbach s freshmen am unit containing three original tracks plus a solid remix by lauer (one half of tuff city kids). a-sided gotta slow down and hold back are classic examples of dancefloor fillers while b-sided raw jam is a hard and super effective acid track that leaves no-one indifferent. the dub mix of gotta slow down by lauer is an oscillating interpretation of the original track with an efficient piano line! limited to 400 hand stamped and numbered copies!

the mysterious but widely acclaimed r-zone series roll on to a 15th ep now with a new four track release that is as essential as ever. opener hired gun is a tough and raw concoction with coarse, snappy snares, rough drum pings and lots of abrasive texture all making for a physical listening experience. midwinter is a deeper and more emotive jam with warm pads dampening down icy hi hats and busy synth work. it is fresh and original and sounds like little else, then captive gets all deep and space-y with smeared pads and slick metallic hits tied together with a molten acid line. lastly, exile is five blissful and beautiful minutes of atmospheric, intergalactic electronic sounds that really take you to another place

300 copies: hand-stamped black labels/black sleeves/screen printed black jackets
|| 12 tracks||12 artists||mostly philly people||a couple of out-of-town friends/collaborators||most are artists who have previously released music on the label

oxia returns with a striking 5 track ep including 2 remixes by visionquest’s shaun reeves and 8bits own steffen deux! the bedrock of french quality techno has already created countless classics that proved themselves against the test of time and with unity ep, he’s bound to to it again. the up and down mixes of „unity“ take over with tight drums and rich bass carried by an airy vocal. oxia’s keen ear for detail adds the rest, making them perfect dance weapons for almost any setting. steffen contributes a deeper take on „unity“ working with subtle effects and evolving spheres to create that early morning vibe. „soulsa“ original and remix by shaun are completing the package with laid-back grooves and a fine tool for darker hours. this quality set couldn’t be more versatile, 2016 couldn’t continue any better!

shlømo signs new singular, cat number 9 with titan ep. the parisian artist, co-founder of taapion records delivers two deep techno cuts on a side, clearly floor orientated, “titan” opens the hostilities and shows all the thoroughness of the man, powerfull and precise, sharp… then comes “memento mori”, made in collaboration with his friend awb (adrien ozouf), where we can find the same ingredients with more emotional flavours, going deeper. b side starts with a drastic reshape of “titan”, by norman nodge himself, before going on a down tempo warehouse feeiling closing perfectly this record with “void axis”.

the first spinning plates ep back in february was picked up by print media and radio tastemakers from ra and dj mag to b.traits and moxie, whilst djs as diverse as ivan smagghe and francois k slotted it into their dj bags. as such there has been much demand for a second release, and now it arrives in the form of a fascinating split ep from scene veteran andy rantzen and relative newcomer bruno schmidt, who helps a&r for the label. in fact it was bruno who came across andy’s tracks during a late night youtube session. andy, who remixed inxs and severed heads back in the day and is a sydney based producer who has been active for three decades, had upped a load of his old demos to youtube in the faint hope that one day someone might find them. and damn are we happy he did, because they are brilliant affairs that sound like little else. for his part, bruno has been a louche resident and hifi creator alongside andrew james gustav and gwenan and delivers an exceptional stripped down late night trip/early morning trip.

some more homegrown beats from elvis cassetta on morris audio! after his huge tune humney (morris audio 94), mr. cassetta is ready with another fine ep called longstreet claps. the title track is a deep and upbuilding house tune with cool vocals and a sexy bassline and shows elvis more subtle side of house. more of that please! the remix courtesy of up and coming london/leeds duo jammhot (madtech, roots of bloom, morris audio) taking a more stripped down approach, but as sexy as the original version. the b-side offers two straight club cuts, elvis cassetta style! and yes, elvis is his real name! enjoy!

slamming live edits , hot vinyl

rare perlen aus der goldenen Ära der hawaiianischen popmusik: kompiliert von roger bong. das 180 gramm doppel-vinyl erscheint im klappcover inklusive album-cd.

1st various on the label! 300 vinyl only copies.

one of the most charismatic and respected djs in poland, eltron (aka eltron john) presents what is probably the most expressely club-oriented record in transatlantyk history. his four track offering sounds much like his sets - ferocious and subtle, raw and sophisticated at the same time. the main mix of b&s blends druggy deepness inspired by the vibe of 90s tribal america with uk funky riddims, creating the sort of pneumatic house groove that never fails to get the party rocking. this simple, yet meticulously produced tune has already been road-tested and received enthusiastic feedback from a number of jocks around europe, and the vinyl version seems destined to strengthen its deserved banger-with-a-message status. the dub version of fuses layers of darker, industrial bleeps with a classic break and a rather healthy dose of echo. trippy and rough, yet exhilarating - it is exactly the kind of track you want to hear in a dark warehouse. switch to the b-side for the light , where sampled vocals, pitched-down drums and fuzzy pads are combined to form a unique specimen of lo-fi r n b, eltron-style. this hazy groove is guaranteed to guide dancers ever-so-gently into the light of the morning. finally, reprise exposes the bare bones of the original. with its dubby, in-your-face quality, it is one for the track heads, definitely.

resin label head & avian affiliate pris launches unbeknown white label series. pris offers up a floor-focused five tracker, hot on the heels of his debut on shifted’s avian imprint. where -this heavy heart- explored a more subdued aesthetic: tense, widescreen exercises in drone & reduced, heads-down club fare, unbeknown01 is fiery & immediate. three rolling 4x4 recordings open the ep, followed by a brooding half time dirge that segues into a noisy ambient cut to close

as point g first compilation is comin out digitally they were no way the vinyl scene gets a real dose of exclusive treat .for this triple pack vinyl only release point g revamps some classics of the label , adds a new cut and get lazare hoche for a reshape of a 98 classic in other words : “braka” gets a serious new mix down with a frenzy pad , “indian “ some dope additional keys “ druker” becomes a soulish fun break beat oriented type of remix ( check also the druker dub )“melik” a new ruff cut “hands” this 98 classic get a reshape by lazare hoche , fat & fay

zahn returns with his first full solo ep since 2014’s new day rising! he delivers a collection of four new direct, hypnotic cuts from his recent live sets that have already received play from ben klock, dvs1, truncate, par grindvik, and others… the ascension sessions occurred when zahn was holed up at a hotel in ibiza last year during one particularly rainy week. >i was doing a lot of live sets at the time so i wanted to use my down time to write more music that was simple enough to truly play live.<

roman poncet returns to figure with another batch of deadly efficient tools featuring four productions in his stripped-back signature style. opener vicious sets the stage with a snappy and muscular breakbeat holding the rhythm down tightly until creeping synths reveal the track’s true, eery intentions. marguerite is more welcoming, with gentle percussion and dubbed out chords making for a loop that could go on forever. the b-side is another example of skillfully sculpting sounds both lean and powerful. on atome i ricocheting synth echoes and fine layers of percussion sway back and forth until they collapse into an extended atmospheric breakdown. starting out reduced to its very nucleus, the second version slowly lets an electrifying tension fill the blank spaces. comprising a set of bare-bone grooves as slick as they are powerfully moving, roman poncet delivers another ep in true figure fashion that is sure to stay in the bag for a long time.

six years after his mila ep, uk techno artist lee renance, better known as 100hz with james chapman, is finally back on bosconi with another strong 3 tracker release called -circles-, a combination of very sought-after gems and reworks of old tunes: the record begins with the gentleness of the groovy and jazzy vibe of that mega rare undergound deep anthem named -shoot the bar-, a track originally out in 1998 on pacific records which many people have been probably waiting since long time for a repress, while on b side the artist presents himself under one of his more obscure aliases as mr format, going trough more voodooish and hypnotic dub techno territories with a pitched down version of primary colours track, an undiscovered and carefully crafted secret weapon previously released on his own imprint format records. last cut of the record is a totally renovated version of the track oliva out in 2009 on the greatest french logistic records. in this new version , “oliva funk” epic strings and pads merge with compelling and engaging beats creating a levitating effect which drive the mind and the mood of the dancefloor into dreamy soundscapes. you ll make it yours.

phoenix g s latest output is another mr.g effort with great versatility. showcasing the original g sound throughout the whole ep, the g man comes up with funky bassline samples, analog string action and the signature vocal cuts that have elevated most of his records in some way. pg055s comes in a special full colour sleeve with an iconic picture of the g himself. licensed from and thanks to rekids.

second outing on the label for berlins anno stamm (nee anstam). a relentless three tracker kicking off with the acid stylings of noone else to the relentless shakings of charge it to my account and closing it out by taking it down a notch with the lush calling of sirens

tt/dok is kenton slash demons third ep on future classic. the two track ep is set to hold down the same amount of anticipation and support of precious offerings of the danish duo. this release affirms again the strength of kenton slash demons organic and futuristic sound, and their obvious skills take their productions further than the typical frame and dramaturgy of a club track. they want to create soundtracks for clubs as well as music that you can listen to on your home stereo, thus blurring the space between the public and private experience. the vinyl release includes a download code.

uysr029 is the closing chapter of remixes for satori s longplayer. crussen from norway kicks of with a pretty down beat mix of days without you which is pure fun for the morning hours. amsterdam based olaf stuut instead did a driving mix of the wishing spell crossing borders between techno and electronica. hraach from spain put big emotions into his bad looking trouble remix deep house with sensual strings. last mix is from underyourskin resident thomas atzmann who gave a very new danceable attitude to the greatest against the world.

2016 repress, without artwork cover
heist kicks off the new year with the first ep of dam swindle since they put out their album boxed out back in march 14. the punch drunk ep is the result of a series of jam sessions in their studio, experimenting with their ever growing studio setup.

caldera‘s *journey* reveals something unexpected through its driving beat, as shuffling rhythms scuttle around the uncompromisingly tough kick drum, only to be interrupted by organic sample constructions. *valuable* doesn‘t hide behind the opener: pitched-down vocal samples develop through foggy walls of delay. underneath it all, a churning beat grows, captivating the listener. it drifts slowly, always a little behind and stretching endlessly.

on his new ep for the magic movement, rio de janeiros own carrot green blends brazilian music, house and techno to generate his own exceptional dancefloor gem. already proven in the brazilian shakedown series plus more stunning releases, this extraordinary producer knows his trade.
the title track *dança das crianças* features brazilian spoken word, chanting and slightly peculiar synth chords enhanced with a strong house beat. following is the remix by oceanvs orientalis, who turns the tune into a hypnotic and bass heavy listening adventure.
flip it around and trip out on *duress (psyche mix)*. this psychedelic slow bomb transports you to places deep down the rabbit hole. the ep closes with *marruero*, a peaceable house jam with cut up piano samples and brazilian story telling. from rio with love!

jetzt erscheinen bowies sechs studioalben aus den jahren 1969-1973 einzeln auf 180g vinyl, die bereits im umfangreichen box-set david bowie five years 1969-1973 zu finden waren, welches im september 2015 erschien.
für die alben space oddity, the man who sold the world, hunky dory und pinups! wurde die remasterte version von 2015 verwendet, während für the rise and fall of ziggy stardust and the spiders from mars auf das 2012er remaster bzw. bei aladdin sane auf die remasterte version von 2013 zurückgegriffen wurde.

nice price deal !!! the escape series began in the summer of 2015 as a monthly radio show, including live video, hosted by cem orlow and rts.fm. inviting artists from around the world to share their sound, the escape series built attracted listeners and built a name on its deep and captivating selection. berlin nightlife quickly became familiar with the escape series as well, with regular events in the beloved ipse. now the escape series story continues. we are super proud to announce the first in a series of exclusive samplers featuring amazing talent hand-picked by us and backed by parent-label soundscapes records. presenting escape series 001, featuring stunning work by argenis brito & felipe valenzuela,&#8232,,,,,,cesare vs disorder & weg, jeff milligan und yapacc. four tracks in total, each with its own unique flavor that together, paint a picture of what the escape series is about.

second release of hideto omura.

amin peck is an electronic studio project, contaminated by the new wave from u.k. like most ’80s electronic bands. amin-peck walked a fine line between disco and minimal wave throughout the course of the early 1980s, oftentimes incorporating shameless pop melodies and avant-garde leanings. amin peck were an italian band leaded by giorgio fioroni (aka george fyron, arrangements, production, vocals) with leonard parker (arrangments, keyboards) and max marne (production). incredible but true, amin peck started as hard rock guitar band in the 70s... and becoming one of the best examples of italo disco. this limited edition it contains full-length versions plus uncut audio material (a2) tracked down during tape restoration. (the first pressing coming from 1982 was pressed only on 7inch in u.k.)

repress. the third instalment on kutmah s experimental izwid imprint, south london dj and producer al dobson jr. creates a 15 track deep, exploration of soulful, tribal drums and abstract musical curation. otherworldly and nuanced beats re-imagine the score of the sampledelic funk tale. one that s non-geographical but rather lost in loops, journeying through the time and space that exists within your headphones. alternating between cosmic vocal rips and a myriad of loose, soul-infused beat tape-style sketches with its digital flourishes, sounds from the village vol. 1 sees the sunrise and sunset over a bohemian musical vista

4 raw stripped down chicago acid cuts from the legendary producer steve poindexter. originally released in 1989 on housetime these tore apart chicagos warehouses. now officially remastered and re released for 2015 dancefloors.

new yorkers matt morandi (jahiliyya fields) and max ravitz (patricia) take the buyout, cash in their 401ks, and opt for early retirement down to deep florida on their debut lp for l.i.e.s.

following two ep releases on delusions of grandeur the time felt right for thatmanmonkz to get working on his debut lp. the sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own shadeleaf label as well as remixes and productions for the likes of classic, kolour ltd and kon’s startime.

strictly mood ii swing is a new track collection of music from one of the most influential house music duos of all time. as mood ii swing, production duo lem springsteen and john ciafone will go down in history as one of the most prolific and respected house duos of the last 25 years. at their best, they were simply untouchable, with their drum programming often cited as what set them apart from the rest of the field: always busier and more intricate than straight-up 4/4 house tracks

len faki delivers the big room techno while rod strips it down and keeps it simple and deep

asa moto are two mysterious producers from belgium who have been honing their sound at deewee for a number of months, delivering with their first release two futuristic pieces for the slowed down dance floor.

ever find yourself on a long escalator in a train station? an undistinguishable robot voice is coming from the intercom. you move effortlessly on this machine, yet you do not understand the sounds coming towards you. this is the essence of vestibule. followed by the ecstatic rhythms on rising, these two make a colorful a side in contrast to the black and grey of solpara’s previous releases. the b side features two remixes, one by the prolific lestasi delloro and the other by the newest member of the booma roster: belgium lights. lestasi delloro questions the four to the floor pattern of the original track and pops it upside down, like the negative of a photograph, giving it an unexptected bounce with marvelously swung hi hats. belgium lights takes a deeper approach to the remix and stretches it out to almost 9 minutes, pulling us down the escalator, at a faster pace and through a darker tunnel.